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・ Lonely (Akon song)
・ Lonely (Mao Abe song)
・ Lonely (Medina song)
・ Lonely (Merril Bainbridge song)
・ Lonely (Nana song)
・ Lonely (Praga Khan song)
・ Lonely (Shannon Noll song)
・ Lonely (Sharon Sheeley song)
・ Lonely (Tracy Lawrence song)
・ Lonely Again
・ Lonely Alone
・ Lonely Among Us
・ Lonely and Blue
・ Lonely and Blue (Etta Jones album)
・ Lonely and Gone
Lonely Are the Brave
・ Lonely Are the Brave (Jørn Lande album)
・ Lonely Are the Brave (Maverick Sabre album)
・ Lonely Astronaut Records
・ Lonely at the Top
・ Lonely at the Top (album)
・ Lonely at the Top (disambiguation)
・ Lonely Avenue
・ Lonely Avenue (Ben Folds and Nick Hornby album)
・ Lonely Avenue (David Newman album)
・ Lonely Avenue (Freddie McCoy album)
・ Lonely Ballet
・ Lonely Blue Boy
・ Lonely Boy
・ Lonely Boy (Andrew Gold song)


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Lonely Are the Brave : ウィキペディア英語版
Lonely Are the Brave

''Lonely Are the Brave'' is a 1962 film adaptation of the Edward Abbey novel ''The Brave Cowboy''. The film was directed by David Miller from a screenplay by Dalton Trumbo.
It stars Kirk Douglas as cowboy Jack Burns, Gena Rowlands as his best friend's wife and Walter Matthau as a sheriff who sympathises with Burns but must do his job and chase him down. It also featured an early score by composer Jerry Goldsmith. Douglas felt that this was his favorite film.〔Brian Cady ("Lonely Are the Brave" (TCM article) )〕
==Plot==

John W. "Jack" Burns (Kirk Douglas) works as a roaming ranch hand much as the cowboys of the old West did, refusing to join modern society. He rejects much of modern technology, not even carrying any identification such as a driver's license or draft card. He can't provide an address because he just sleeps wherever he finds a place.
As Burns crosses a highway into a town in New Mexico, his horse Whiskey has a difficult time crossing the road, confused and scared by the traffic. They enter town to visit Jerry (Gena Rowlands). She is the wife of an old friend, Paul Bondi (Michael Kane), who has been jailed for giving aid to illegal immigrants. Jack explains his dislike for a society that restricts a man on where he can or can't go, what he can or can't do.
After a violent barroom fight against a one-armed man (Bill Raisch) in which he chooses to use only one arm himself, Burns is arrested. When the police decide to let him go, he deliberately punches a cop to get himself arrested. He is immediately sentenced to a year in jail, which allows him to see Bondi, with a purpose of helping him escape. The town is a sleepy border town and the cops are mostly bored, occasionally dealing with minor offenses. The Sheriff, Morey Johnson (Walter Matthau), has to compel them to pay attention to their duties at times. During the course of the story, the seemingly unrelated progress of a tractor-trailer truck carrying toilets, driven by Carroll O'Connor, is inter-cut with the principal events.
Joining Bondi in jail, Burns tries to persuade him to escape. He tells Bondi he couldn't spend a year locked up because he'd probably kill someone. Burns defends Bondi from the attention of sadistic Deputy Sheriff Gutierrez (George Kennedy), who picks Burns as his next target. During the night the inmates saw through one of the jail's bars using two hacksaw blades Burns hid in his boot. The deputy summons Burns in the middle of the night and beats him. Upon returning to his cell, Burns tries to persuade Bondi to join him in escaping, but Bondi has a family and too much at stake to become a fugitive from the law. Burns breaks out by himself and returns to Bondi's house, where he picks up his horse and some food from Bondi's wife. After the jail break, the Sheriff learns that Burns served in the military during the Korean War, including seven months in a disciplinary training center for striking a superior officer. He also received a Purple Heart and a Distinguished Service Cross with oak leaf clusters for his valor during battle.
Burns heads for the mountains on horseback with the goal of crossing the border into Mexico. The police mount an extensive search, with Sheriff Johnson and his Deputy Sheriff Harry (William Schallert) following him in a jeep. A military helicopter is brought in, and when the air crew locates Burns, they relay his location to the sheriff. Whiskey is repeatedly spooked by the helicopter and other modern noises. Burns shoots the tail rotor, damaging it and causing the pilot to lose control and crash land.
Deputy Gutierrez also chases Burns. He sees the horse and is preparing to shoot when Burns sneaks up, knocking him unconscious with the his rifle butt. Burns leads his horse up impossibly difficult, rocky slopes to escape his pursuers, but the lawmen keep on his trail, forcing him to keep moving. Surrounded on three sides, Burns' horse refuses at first to climb a steep slope. They finally surmount the crest of the Sandia Mountains and escape into the east side of the mountains, a broad stand of heavy timber, with the lawmen shooting at him. The Sheriff acknowledges that Burns has evaded their attempts to capture him. Burns is shot through the ankle during his dash to the timber.
Burns appears to have escaped the law and his trackers late at night when he tries to cross Highway 66 in Tijeras Canyon during a heavy rainstorm. His horse is spooked, confused by noise of the traffic and blinded by the lights. The truck driver hauling the load of toilets, his vision obscured by rain, strikes Burns and his horse as they are attempting to cross the road. The sheriff arrives and, asked by the state police if Burns is the man he has been looking for, says he can't identify him, because he's never seen the man he is looking for up close. Whiskey, who is seriously wounded, is killed by Harry with a gunshot. The Sheriff and his deputy Harry head home; Burns is transported from the scene in an ambulance. The film closes with a shot of Burns' cowboy hat swamped by rain in the middle of the highway.
In the film, the river of traffic—Highway 66 by name—serves as bookends. Early in the yarn, Burns crossed the highway on horseback, with difficulty, to enter the town. Saddled up in Old West tradition, entering a modern town, the rider crossed a dangerous boundary—a Rubicon of sorts—that says “There’s no going back, no escape.”
In the ending, still on horseback, he tries to cross that highway again.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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